Metal and Motion

Posted on May 20, 2011 by lahalla

Metal and Motion is now available from DNR Collaborative. Thanks for the support!

This package of sounds consists mainly of original recordings and derivative textures created from recording a Zildjian Constantinople crash, a Zildjian Avedis ping ride and a Zildjian Z Custom 18″ crash cymbal through various means. Most of the long drawn out textures were created by using different density/thickness drum sticks and “ghosting” them lightly across the grooves until the wood catches the harmonics correctly. Other rumbling metal sounds were created through felt mallets being drawn across the cymbals at higher microphone gain stages.


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Also included is a package of dual machete samples. These were recorded by using 2 separate machetes to tap, slide, slice and bend in order to get accurate ‘sword fighting’ type of sounds. You will also find other metals, such as aluminum braces and rods included in the package as well.

Recording Techniques Used

To create these sounds, I’ve used a few different microphones to capture the details. The main microphone used was an AKG C414 B-XLS II mic, as it is just a beautiful microphone for catching a wider array of different sources and source frequencies. The second mic used is a Rode NT55 micorphone, which I’ve used to catch to top section of the signal. For all cymbals and hihat scrapes, a blend of the two recordings has been created for a stereo signal. Most other recordings have been rendered out as mono source waves, and I chose the better of the 2 recordings as not to provide a lot of redundant material.

Audio Demonstrations

Product Specifications

The package includes the following content:

  • 141 Samples / 264 MB
  • Recorded @ 24-bit / 44.1khz
  • Originals + derivatives

Folder Layout Includes:

  • Clean Cymbal Hits
  • Aluminum Taps
  • Brace Taps
  • Cymbal Scrapes
  • Machete Hits
  • Metal Fades
  • Metal Textures

Purchase

Please listen to the audio demos before purchasing anything. After purchasing, you will receive permanent download links (read: unexpiring) within 8 hours, but typically no more than half an hour.

The difference between licenses is that the composer’s license can be used in any musical composition with no royalties or other fees. You cannot create commercial sound libraries from these sources with the composer’s license. The developer’s license allows you to use these samples to create commercial sound libraries without requiring my permission to do so. Go ahead, make something useful and creative out of them, I don’t care what you do.

PURCHASE NOW AVAILABLE FROM DNR COLLABORATIVE

Change Log / Updates

  • Monday, May 23rd 2011 / Added 31 clean cymbal recordings
  • Friday, May 20th 2011 / Shortened some samples, reducing size to 231 MB
  • Friday, May 20th 2011 / Initial release version
Posted in Sound Libraries | 1 Comment